Shure PG Drum Mic Package

A complete drum microphone package! The PGDMK6 Drum Microphone Kit includes:

• Three PG56 snare/tom microphones
• One PG52 kick drum microphone
• Two PG81 instrument microphones
• Three A50D drum mounts
• One durable carrying case

And as always, stands and cables are included!

AKG C214 Condenser Recording Microphone

The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.

Features include:

• AKG’s Legendary 1” Edge-Terminated Large Diaphragm Sound
• Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)
• Roadworthy Design
• Integrated Suspension to reduce mechanical Noise
• Switchable 20 dB Attenuation Pad and Low Cut Switch
• Rugged double mesh Grill for high RF immunity but unaffected Acoustics
• All-metal Die-cast body with shock- and scratch-resistant Finish
• Spider-type Shock Mount included
• Metal Carrying Case included
• Designed, Engineered and Built in Vienna, Austria

The C 214 is capable of handling everything from a quiet. whispery vocal to the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch—all in an elegant but rugged package. Complete with carrying case, windscreen, and spider suspension mount.

Shure SM57

The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio it is excellent for recording drums, guitar and woodwinds.

The SM57’s outstanding performance, legendary reliability and diversity of application make this workhorse the choice of performers, producers and sound engineers worldwide.

Shure SM58

The Shure SM58® unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective built-in spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise.

Rugged construction, a proven shock-mount system and a steel mesh grille ensure that even with rough handling the SM58 will perform consistently outdoors or indoors.

Sennheiser E-845

Extended high frequency response and supercardiod pick-up pattern for higher signal output cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving providing greater on-stage freedom.

Full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone offering power, clarity and projection.

Sennheiser E-865

The E 865 represents the first condenser microphone in the acclaimed Evolution Series. A live performance lead vocal microphone, the E 865 easily cuts through high on-stage levels by virtue of its detailed and natural 40 Hz – 20 kHz reproduction and superb transient response.

Sennheiser E-945

The e945 is a supercardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.

Sennheiser E-604 Dynamic Clip-On Instrument Microphone

The frequency response and cardioid pick-up patter are optimized for drum sets and other percussion instrument micing, while also producing exceptional results on all forms of brass and woodwind. Integral stand mount screws directly onto mic stands and include clip attaches mic to rim of drum.

Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.

Sennheiser E-904 Dynamic Clip-on Inrtrument Microphone

The E904 is a cardioid dynamic instrument microphone especially designed for drums.Full, impressive, lively sound for drums and percussion - Very fast attack, Compact body ideal for mounting on toms and snare drum with an excellent profile, very durable, and adapts to all percussive stylee with a Hum compensating coil. Includes MZH 604 drum clamp.

Sennheiser E-609 Dynamic Instrument Microphone

The E609 is based on the legendary MD 409 microphone. Able to withstand high SPLs without distorting, the e609’s flat-profile capsule facilitates extremely close micing of guitar cabinets and is also suitable for drum micing, particularly toms.

The e609’s super-cardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. Its sound inlet basket, made of refined steel, is distinguished by a unique address side.

Sennheiser E-901 Boundary-Style Bass Drum Microphone

Professional pre-polarized half cardiod boundary layer condenser for bass drum, piano and low frequency instrument applications.

Sennheiser E-614 Pencil Condenser Microphone

The E614 is a supercardioid condenser microphone, designed for demanding instrument recordings and performances that require extended frequency response, high SPL handling, fast transient response and compact size. While drum set overhead micing was the first design priority, the E614 also works exceptionally well on percussion setups as well, fitting comfortably into tight setups. The E614 can handle high SPLs and features medium sensitivity, which ensures reduced bleed from other instruments on stave. Because of its excellent acoustic properties this mic is also ideal for home recording.

Sennheiser E-914 Pencil Condenser Microphone

The E914 is a high-grade condenser microphone for very demanding applications. Its outstanding sound properties qualify it for highly sophisticated applications such as acoustic guitars, cymbals, percussion, overhead, orchestras and grand pianos.

Audix D-1 Instrument Microphone

A dynamic hypercardioid drum and instrument microphone has bright contoured response for added presence and sparkle. Ideal for snare and percussion. Features VLM noise rejection capsule, compact design for easy placement and is milled from a solid block of aluminum for reduced weight and greater durability.

And since we don't like carrying mic stands either, this mic includes a Shure A50D drum clamp.

Audix D-2 Tom Microphone

The D2 is an American-made instrument microphone designed for live and studio performance. Characterized with a hypercardioid pick-up pattern and a frequency response of 44Hz - 18kHz, the D2 is an ideal choice for rack toms, floor toms, congas and other instruments requiring low frequency reproduction.

Transformerless design, low impedance and balanced output allow interferencefree performance even with long cable runs. The D2, a one-piece body precision machined from solid aluminum, consists of a black hard coat finish.

And since we don't like carrying mic stands either, this mic includes a Shure A50D drum clamp.

Audix D-4 Bass Drum / Lo Frequency Microphone

The D4 utilizes an entirely new capsule specially designed to capture high SPL instruments with extended frequencies below 100 Hz. By employing sub-impulse technology that samples sounds at a rate higher than other mics the D4 captures a truer image of the original sound than previous generation kick drum mics. Compact and lightweight, yet featuring full-size diaphragms, the D Series microphones employ exclusive Sub-Impulse Technology designed specifically to achieve the true 3-dimensional sound of instruments. Sub-Impulse Technology builds on the principles of the VLM diaphragm design to accurately pick up the subtle nuances of sub-impulse harmonics. These harmonics contribute substantially to the richness of the sound.

And since we don't like carrying mic stands either, this mic includes a Shure A50D drum clamp.

Audix D-6 Bass Drum / Lo Frequency Microphone

The Audix D6 is the perfect choice for solid kick drum sounds. The cardioid pickup pattern does an excellent job rejecting sound from external sound source to keep the sound of the kick drum pure and clean. The D6 boasts a VLM (Very Low Mass) diaphragm to react quickly to the attack of the beater and the 30Hz-15kHz frequency response sports big bumps right where you need it for earth-shaking lows without sacrificing the attack. For other low-frequency instruments such as bass the D6 fares equally well.

Sennheiser E912 Boundary Microphone

The E912 is a pre-polarized condenser boundary microphone with half-cardioid pick-up pattern. Its acoustic properties have been optimized for instruments, vocals and speech. The E912 is an ideal choice for pianos, theatre and opera productions, conference applications, altars and lecterns.

AKG C480 Hi-End Pencil Condenser Microphone

The AKG C 480 B preamplifier powering unit is the latest model in the ULS series. It accommodates the CK 61/ULS, CK 62/ULS, CK 63/ULS capsules and the new CK 69/ULS shotgun capsule, providing a higher order of performance for these capsules than heretofore available. The new preamp has a vastly improved noise floor permitting self noise performance with the four associated capsules in the range of 9 to 11 dB-A. Maximum sound pressure levels in the range of 144 dB (in the -10 dB sensitivity position) can be attained with no greater than 0.5% distortion, giving the capsules a new level of overall performance. An integral low cut filter (12 dB/octave) can be set for either 150 or 70 Hz. The +6 dB sensitivity position is intended to enhance the performance of the CK 69/ULS interference tube capsules, which normally operate over large distances.

Audio Technica 835B

Slim, sleek and ultramodern, the AT835b is designed for today's professional broadcast, film or video sound engineer, or any recordist who needs a mic for challenging applications. The AT835b's construction provides a narrow acceptance angle that makes it perfect for long-distance sound pickup; the sides and rear of the mic are configured to give you the finest in rear and side sound rejection. In outdoor applications (for which the AT-835b is especially suited) you can be confident that the AT835b is getting ONLY what you want it to. It also is able to operate on battery or phantom power.

Radial ProDI and ProD2

The Radial ProDI's are high-quality, full-range passive direct boxes equipped with custom made audio transformers for exceptional signal handling without saturation and with extremely low phase distortion in the critical bass and mid regions. The result is exceptional clarity and definition at an attractive price point. Ultra-compact and made of 14 gauge steel, both ProDI models feature internal I-beam construction with a 'book-end' outer shell for extreme durability in the most demanding environments. Available in single-channel (ProDI) or dual-channel (ProD2) stereo, these exceptional direct boxes offer performance superior to any other DI's in their price range and are ideally suited for use with acoustic guitar, bass and keyboards.

Features include:

• Full range passive direct boxes
• Isolation transformer eliminates noise
• Very low harmonic and phase distortion
• Compact and rugged design
• Ideal for live sound and studio
• Mono (ProDI) or stereo (ProD2) models

Radial Pro AV2

The Radial ProAV1 and ProAV2 are passive direct boxes specifically developed with the audi-video integrator in mind and has full two-channel stereo functionality.

To eliminate the need for various adaptor, a 'Swiss Army' array of connections are provided. including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers and a +4dB XLR input(s) for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points.

Custom wound transformers are employed that are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the AV2 particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow.

Radial Pro48 Active Direct Box

The Radial Pro48 is a high-performance 48V phantom powered active direct box designed specifically for today's higher output instruments. The Pro48's inovative digital switching power supply significantly increases headroom and allows for less distortion while yielding a smooth, linear response extending from 20Hz to well above 100kHz resulting in natural, uncolored signal transfer. This superior performance makes the Pro48 an ideal candidate for use with today's battery powered active basses and acoustic guitars that tend to overload other direct boxes.

The compact Pro48 is built road-ready with 14 gauge steel in our unique book-end™ design that provides protective zones around the switches and connectors. The internal welded I-beam construction assures outside stress will not torque the PC board thus assuring longer product life. Exceptional sonic performance, great natural tone at an affordable price; the Radial Pro48 truly represents a breakthrough in value! The Radial Pro48… Blue is True!

Features include:

• High resolution active direct box
• Increased dynamic range and headroom
• 48V phantom powered with digital switching
• Compact, rugged book-end design
• Ideal for active guitars and basses

Radial JDV Mk3 Super DI

The Radial JDV Mk3 is arguably the most advanced and sonically superior direct box made today. With 100% class-A circuit and a 30-Volt internal rail voltage, the JDV combines exceptional sonic quality and unmatched dynamic handling for the most natural and uncolored sound possible.

Designed as a creative tool, the JDV introduces a concept of ‘Zones’ with choice of two inputs, four instrument amplifier outputs, and a unity-gain transformerless output.

Features include Drag control for precise pickup load correction, 3.9 meg-ohm input impedance for piezo pickups, hi-pass and lo-pass filters, full LED status indicators, polarity reverse and all of the other features one would expect from a Radial DI.

The Radial JDV Mk3 is designed for use in both the studio and live performance and is suitable for all instruments where added reach is required and retaining the original sound of the instrument without distortion or coloration is paramount.

Features include:

• Class-A feed forward design
• Huge 30-Volt internal rail voltage
• Innovative Drag control
• Variable impedance to 3.9 Meg-Ohms
• Unique zoned design concept

Radial JDI Passive Direct Box

The Radial JDI is considered by many to be the world’s finest direct box. It is a passive DI that employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. Being completely passive, the plug & play JDI does not require any powering and has the unique advantage of eliminating 60-cycle ground loops. This makes the JDI a definite favorite with informed audio engineers. The JDI is great for guitars, bass, and keyboards and is particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. The JDI may be rack-mounted using the J-Rak and is also available in a stereo (2-channel) version called the JDI Duplex and the 6-channel rack-mountable JD6.

Features include:

• Jensen Transformer equipped passive DI
• 100% isolation eliminates ground loops
• Virtually zero phase & harmonic distortion
• Exceptional signal handling
• High common mode noise rejection