Venice is Midas' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area.

24 Mono + 4 Stereo, 6-aux 4-bus.

Available in frame sizes from 12 to 40 channels, the GB4 is designed for installations such as churches and performance venues or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties with fader control of group or aux outputs. Four mute groups allow several channels to be muted simultaneously while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix.

The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

24 channel and 32 channel versions available.

Series TWO embodies the classic 8-group, 8-Aux format pioneered for live sound by Soundcraft in the 1970's and which has since become the defacto standard in mid-range console specification.

As well as that there are new features like sweepable high-pass filters on every input, high-resolution LED input metering and midi-controlled snapshot muting. Outputs are augmented by left, right and centre busses plus an 11x2 Matrix section as well as the 8 Aux and 8 group outputs.

32 Mono Mic/Line + 4 Stereo, 8-Aux (Switchable), 8-bus.